Television in Review Fred Danzig Garry Moore Julie Andrews

Template:Short clarification Template:Use British English Template:Apply dmy dates

Matriarch

Julie Andrews

DBE

Julie Andrews Park Hyatt, Sydney, Australia 2013.jpg

Andrews in 2013

Born

Julia Elizabeth Wells


(1935-10-01) i October 1935 (historic period 86)

Walton-on-Thames, Surrey, England

Occupation
  • Actress
  • vocalist
  • author
Years active 1945–nowadays

Works

Full list
Spouse(southward)
  • Tony Walton
    (m. 1959; div. 1968)

  • Blake Edwards
    (1000. 1969; died 2010)

Children 5; including Emma Walton Hamilton
Awards Full list

Dame Julie Andrews DBE (built-in Julia Elizabeth Wells; 1 October 1935) is an English actress, singer, and author.[1] She has garnered numerous accolades throughout her career spanning over vii decades, including an Academy Award, a British Academy Film Laurels, 2 Primetime Emmy Awards, iii Grammy Awards and half dozen Aureate Globe Awards. Andrews was made a Disney Legend in 1991, and has been honoured with an Honorary Golden Lion as well equally the AFI Life Accomplishment Award. In 2000, Andrews was made a matriarch by Queen Elizabeth II for services to the performing arts.

Andrews, a kid actress and singer, appeared in the West End in 1948 and made her Broadway debut in The Boy Friend (1954). Billed as "Britain'due south youngest prima donna",[two] she rose to prominence starring in Broadway musicals such as My Fair Lady (1956) playing Eliza Doolittle and Camelot (1960) playing Queen Guinevere. On 31 March 1957, Andrews starred in the premiere of Rodgers and Hammerstein'due south written-for-boob tube musical Cinderella , a live, color CBS network broadcast seen past over 100 million viewers. Andrews made her feature picture debut in Walt Disney'due south Mary Poppins (1964) and won the Academy Honor for All-time Actress for her operation in the championship role. The following year she starred in the musical film The Sound of Music (1965), playing Maria von Trapp and won the Golden Globe Laurels for Best Actress – Motion Movie Comedy or Musical.

Between 1964 and 1986, Andrews starred in various films working with directors including her married man Blake Edwards, George Roy Hill, and Alfred Hitchcock in The Americanization of Emily (1964), Hawaii (1966), Torn Curtain (1966), Thoroughly Modern Millie (1967), Star! (1968), The Tamarind Seed (1974), x (1979), S.O.B. (1981), Victor/Victoria (1982), That's Life! (1986), and Duet for One (1986). Afterwards 1986 her workload decreased, actualization in two films in 1991 and not again until 2000. Later the plough of the new millennium, however, her career had a revival. From 2001 to 2004 Andrews starred in The Princess Diaries (2001) and The Princess Diaries two: Royal Engagement (2004). From 2004 to 2018 she lent her phonation to the Shrek and Despicable Me blithe films and Aquaman (2018). In 2017 she co-created and hosted a children'due south educational evidence titled Julie's Greenroom , for which she received two Daytime Emmy Award nominations. Beginning in 2020, Andrews voiced the narrator Lady Whistledown in the Netflix series Bridgerton . She has also worked hosting functioning shows such as Great Performances and narrating documentaries such equally the 2004 Emmy-winning series Broadway: The American Musical.

In 2002, Andrews was ranked No. 59 in the BBC's poll of the 100 Greatest Britons. In 2003, she revisited her outset Broadway success, this time equally a stage director, with a revival of The Boy Friend . Apart from her musical career, she is also an author of children's books and has published two autobiographies, Abode: A Memoir of My Early Years (2008) and Home Work: A Memoir of My Hollywood Years (2019).

Contents

  • 1 Early life
  • 2 Career
    • 2.1 1940s
    • 2.two 1950s
    • 2.3 1960s
    • 2.4 1970s
    • two.5 1980s
    • ii.6 1990s
    • 2.7 2000s
    • 2.8 2010s
    • 2.9 2020s
  • 3 Personal life
    • 3.i Loss of singing vox
  • 4 Voice
  • five Acting credits
  • 6 Awards and honours
  • vii Bibliography
  • 8 References
  • 9 External links

Early life

Julia Elizabeth Wells[3] was born on 1 October 1935 in Walton-on-Thames, Surrey, England.[4] [5] Her mother, Barbara Ward Wells (née Morris; 1910–1984) was born in Chertsey [6] and married Edward Charles "Ted" Wells (1908–1990), a teacher of metalwork and woodwork, in 1932.[7] Andrews was conceived as a result of an affair her mother had with a family friend. Andrews discovered her true parentage from her mother in 1950,[eight] [9] although it was not publicly disclosed until her 2008 autobiography.[10]

With the outbreak of World War II, her parents went their split up ways and were shortly divorced. Each remarried: Barbara to Ted Andrews, in 1943,[xi] and Ted Wells in 1944[12] to Winifred Maud (Hyde) Birkhead, a war widow and former hairstylist at a war work factory that employed them both in Hinchley Woods, Surrey.[8] [9] [thirteen] Wells assisted with evacuating children to Surrey during the Rush, while Andrews's female parent joined her hubby in entertaining the troops through the Entertainments National Service Association. Andrews lived briefly with Wells and her brother, John[14] in Surrey. In 1940, Wells sent her to live with her female parent and stepfather, who Wells idea would exist meliorate able to provide for his talented daughter'southward creative training. According to Andrews's 2008 autobiography Domicile, while Andrews had been used to calling her stepfather "Uncle Ted", her female parent suggested information technology would exist more than appropriate to refer to her stepfather as "Pop", while her male parent remained "Dad" or "Daddy" to her, a change which she disliked. Template:Citation needed The Andrews family was "very poor" and "lived in a bad slum surface area of London," at the fourth dimension, stating that the war "was a very black period in my life." According to Andrews, her stepfather was violent and an alcoholic.[ten] He twice, while drunk, tried to get into bed with his stepdaughter, resulting in Andrews fitting a lock on her door.[10]

As the stage career of her mother and stepfather improved, they were able to beget improve surroundings, first to Beckenham then, every bit the war concluded, back to the Andrews's hometown of Hersham. The family took up residence at the Old Meuse, in West Grove, Hersham, a house (now demolished) where Andrews's maternal grandmother had served as a maid.[9] Andrews's stepfather sponsored lessons for her, first at the contained arts educational school Cone-Ripman School (ArtsEd) in London, and thereafter with concert soprano and voice instructor Madame Lilian Stiles-Allen. Andrews said of Stiles-Allen, "She had an enormous influence on me," adding, "She was my tertiary mother – I've got more mothers and fathers than anyone in the world." In her memoir Julie Andrews – My Star Pupil, Stiles-Allen records, "The range, accuracy and tone of Julie'due south voice amazed me ... she had possessed the rare souvenir of absolute pitch",[15] though Andrews herself refutes this in her 2008 autobiography Home.[8] [16] According to Andrews, "Madame was sure that I could practice Mozart and Rossini, but, to be honest, I never was".[15] Template:Rp Of her ain vocalization, she says, "I had a very pure, white, thin voice, a iv-octave range – dogs would come from miles around."[15] Template:Rp After Cone-Ripman School, Andrews continued her academic education at the nearby Woodbrook School, a local state school in Beckenham.[17]

Career

1940s

Commencement in 1945, and for the next 2 years, Andrews performed spontaneously and unbilled on stage with her parents. "Then came the day when I was told I must become to bed in the afternoon because I was going to be allowed to sing with Mummy and Pop in the evening," Andrews explained. During her initial shows, Andrews stood on a beer crate to sing into the microphone, performing a solo or a duet with her stepfather, while her mother played piano. She later stated that "it must have been ghastly, but it seemed to go down all correct."[xviii] [nineteen] Fellow child entertainer Petula Clark, three years her senior, recalled touring around the UK by railroad train to sing for the troops alongside Andrews; they slept in the luggage racks. Clark subsequently said "It was fun—and not a lot of kids were having fun".[20]

Andrews had her career breakthrough when her stepfather introduced her to managing managing director Val Parnell, whose Moss Empires controlled prominent performance venues in London. At age 12, Andrews fabricated her professional solo debut at the London Hippodrome, singing the difficult aria "Je suis Titania" from Mignon equally part of a musical revue, called "Starlight Roof", on 22 October 1947. She played at the Hippodrome for one year.[8] [21] Of her role in "Starlight Roof," Andrews recalled: "In that location was this wonderful American person and comedian, Wally Boag, who fabricated balloon animals. He would say, 'Is there any picayune girl or male child in the audience who would like 1 of these?' And I would rush upward onstage and say, 'I'd like ane, delight.' And so he would chat to me and I'd tell him I sang ... I was fortunate in that I admittedly stopped the show cold. I mean, the audience went crazy."[22]

On 1 November 1948, a xiii-year-one-time Andrews became the youngest solo performer ever to be seen in a Royal Multifariousness Performance before Male monarch George Six and the future Queen Elizabeth at the London Palladium. Andrews performed alongside vocalist Danny Kaye, dancers the Nicholas Brothers, and the comedy team George and Bert Bernard.[23] [24]

1950s

Andrews later followed her parents into radio and television.[25] She performed in musical interludes of the BBC Light Programme one-act testify Upwards the Pole and was a bandage member in Educating Archie , from 1950 to 1952.[24] She reportedly made her television début on the BBC program RadiOlympia Showtime on viii Oct 1949.[26] Andrews appeared on West End theatre at the London Casino, where she played i year each every bit Princess Badroulbadour in Aladdin and the egg in Humpty Dumpty . Andrews too appeared on provincial stages in Jack and the Beanstalk and Piddling Red Riding Hood , besides as starring every bit the atomic number 82 role in Cinderella .[25] In 1952, she voiced Princess Zeila in the English language dub of the Italian animated movie La Rosa di Bagdad (renamed The Singing Princess), in her first pic and commencement venture into phonation-over work.[27]

Andrews as Eliza Doolittle meets Rex Harrison as Professor Henry Higgins in the musical adaptation of Pygmalion, My Fair Lady

On 30 September 1954, the eve of her 19th birthday, Andrews made her Broadway debut as Polly Browne in the London musical The Boy Friend .[ane] Andrews was recommended to director Vida Promise for the part by extra Hattie Jacques, whom Andrews regards as a "goad" for her career.[28] Eve Benda recognized her special talent and predicted her distinction. Andrews was anxious near moving to New York; at the time, she was both breadwinner and caretaker for her family, and took the part upon her father's encouragement.[28] She stated that at the time, she had "no idea" how to inquiry a function or study a script, and cites Cy Feuer's direction as being "phenomenal".[28] The Male child Friend became a hitting, with Andrews receiving praise; critics called her the stand-out of the show.[29] [28]

In 1955, Andrews signed to announced with Bing Crosby in the television flick, Loftier Tor . It filmed in November 1955 in Los Angeles and was Andrews's first screen project, which she described every bit "daunting".[28] High Tor was televised the post-obit March before a live audience for the Ford Star Jubilee , receiving lukewarm reviews.[30] [28] Well-nigh the end of her ane-yr run with The Boy Friend, Andrews was approached to audience to Alan Jay Lerner and Frederick Loewe for the office of Eliza Doolittle in My Fair Lady .[31] [28] She was offered the part by Richard Rodgers during her third reading.[28] She afterwards wrote that she felt she could "be Eliza, could find and understand her" if just someone were to "gently unravel the knotted ... cord inside my breadbasket".[28]

Andrews as Queen Guinevere with Richard Burton as Rex Arthur in the musical Camelot

During rehearsals, director Moss Hart spent xl-eight consecutive hours solely with Andrews, where they "hammered through each scene"; Andrews later stated that "the skilful man had stripped [her] feelings bare [...] molded, kneaded, and helped [her] become the character of Eliza [..] [and made] her function of [her] soul."[28] Andrews referred it equally the best acting lesson she had ever received, later cementing the role with her "ain touches and flourishes" and standing to piece of work on the character throughout her two-twelvemonth run.[28] On 15 March 1956, My Fair Lady opened on Broadway at the Marker Hellinger Theatre. The play was a huge success with both the audience and critics, though presently later on opening she learned she needed to tone downward her learned cockney emphasis and then that the American audition could sympathise her, a change which was reversed at the West End functioning a yr later.[32] Andrews describes her performances equally Eliza equally "the great learning catamenia" of her life.[28]

Rodgers was so impressed with Andrews's talent that concurrent with her run in My Fair Lady she was featured in the Rodgers and Hammerstein television musical Cinderella , which was written especially for her.[29] [28] Cinderella was broadcast live on CBS on 31 March 1957 nether the musical direction of Alfredo Antonini and had an estimated 107 meg viewers.[33] [34] The evidence was broadcast alive in colour from CBS Studio 72, at Broadway and 81st Street in New York: CBS' only E Coast color studio.[28] Andrews was nominated for an Emmy Award for her role. She described the functioning every bit "incredibly hard" and stated it took her "years to realise the enormity" of the production.[28] [35] In 1957, Andrews released her debut solo anthology, The Lass with the Delicate Air, which harked back to her British music hall days.[36] The album includes performances of English folk songs every bit well every bit the World War Two anthem, "London Pride", a patriotic song written by Noël Coward in 1941 during the Rush, which Andrews herself had survived.[36] [37]

Between 1956 and 1962, Andrews invitee-starred on The Ed Sullivan Show (15 July 1956), and also appeared on The Dinah Shore Chevy Show , What'southward My Line? , The Jack Benny Plan , The Bell Telephone 60 minutes , and The Garry Moore Show . In June 1962, Andrews co-starred in Julie and Carol at Carnegie Hall , a CBS special with Carol Burnett. In 1960, Lerner and Loewe again cast her in a period musical as Queen Guinevere in Camelot , forth with Richard Burton (equally Male monarch Arthur) and newcomer Robert Goulet. Andrews chosen the work "awe-inspiring" due to the heavy set costuming and detailed literary themes.[28] Camelot premiered at the Majestic Theatre to "adequate" reviews, which Andrews credited to off-set up product issues and comparisons to My Fair Lady.[28] The musical was substantially revised both earlier and during the bear witness's Broadway run.[28]

1960s

Casting for the film adaptation of My Fair Lady began in 1962; Jay Lerner hoped for Andrews to reprise her role, but Warner Brothers studio head Jack Warner decided Andrews lacked sufficient name recognition; the part was played by the established film actress Audrey Hepburn, with the majority of the singing dubbed by Marni Nixon. As Warner later recalled that the determination was made for fiscal purposes, stating that "In my business, I take to know who brings people and their money to a movie house box office. Audrey Hepburn had never fabricated a fiscal flop."[38] Andrews later reflected that she understood her experience on Broadway "was within a very small swimming" simply wished she had been able to record her performance for posterity.[28]

In 1963, Andrews began piece of work in the titular role of Disney's musical flick Mary Poppins. Walt Disney had seen her functioning in Camelot and subsequently offered her the role; Andrews initially declined because of pregnancy, returning to London to give nativity, only Disney firmly insisted, saying, "Nosotros'll wait for you."[39] After the birth of her daughter, she received a call from P. L. Travers, author of the Mary Poppins book series, who told her, "Well, you're much also pretty of course. Simply you've got the olfactory organ for it."[28] Disney rented a house in Toluca Lake, Los Angeles for her family to reside in during production. Andrews relied largely on instinct for her portrayal, conceptualising her background and giving the character a "particular walk" and a turned-out stance to adapt her ladylike sensibility.[28] Andrews referred to product as "unrelenting" given the physical exertion and technical details, proverb that she "could non have asked" for a meliorate introduction to moving-picture show.[28]

Andrews in Mary Poppins (1964), for which she won the Academy Laurels for Best Actress

Mary Poppins became the biggest box-part draw in Disney history. Variety lauded Andrews's performance as a "signal triumph ... she performs every bit easily equally she sings, displaying a fresh blazon of beauty."[twoscore] The flick was nominated for thirteen Academy Awards and won five, including the University Award for Best Actress for Andrews's performance.[41] She also received the Gold Globe Laurels for Best Actress – Movement Picture One-act or Musical, while Andrews and her co-stars won the 1965 Grammy Award for Best Album for Children. Every bit a measure of "sweetness revenge," as Poppins songwriter Richard M. Sherman put it, Andrews closed her acceptance speech at the Gilt Globes by saying, "And, finally, my thanks to a man who made a wonderful movie and who made all this possible in the kickoff place, Mr. Jack Warner."[39] [42] My Fair Lady was in direct contest for the awards.

Andrews starred opposite James Garner in the one-act-drama war motion picture The Americanization of Emily (1964).[28] Andrews took the function partly to avoid typecasting as a nanny.[28] Bosley Crowther of The New York Times chosen Andrews "irresistible".. with a brush of sentiment" in both her comedic and emotional scenes.[43] Andrews was nominated for the BAFTA Award for Best British Actress in a Leading Role. Andrews later described information technology as her favourite film, a sentiment shared by her co-star Garner.[44] Andrews starred in The Sound of Music (1965), which was the highest-grossing film of its year.[45] Andrews later said she was "ashamed" to admit that she thought the musical "rather saccharine" earlier being cast.[28] Rehearsals took place in London before filming commenced in Salzburg, Austria in 1964.[28] Filming was rather dull; due to weather conditions in Salzburg, the bandage were "lucky" if they got a single shot's worth of scenes.[28]

Andrews aslope co-star Christopher Plummer in The Audio of Music (1965)

Andrews stated she relied on lyrics to anchor her to the film's songs and utilised vocal estimation to "convey" Maria's character by "[hanging] onto words and the images they conjured".[28] Andrews wrote that her senses were "suffused" with Austria, saying that the music "nevertheless" and "always lives in her soul".[28] The film received mixed reviews, though critics highlighted Andrews'due south performance; Crowther again praised her for her "air of radiant vigor ... apparently-Jane wholesomeness and her ability to brand her dialogue as vivid ... as she makes her songs."[46] For her performance as Maria von Trapp, Andrews won her 2nd Golden World Award for All-time Actress – Moving picture One-act or Musical. She was nominated a second time for the Academy Honor for Best Actress and the BAFTA Laurels for All-time British Actress in a Leading Role.[47] Andrews later on wrote that the "gift" and "privilege" of portraying her starting time three motion picture roles would have been "enough to satisfy" her for a lifetime."[28]

Afterward completing The Sound of Music, Andrews appeared equally a guest star on the NBC-Tv variety series The Andy Williams Show. She followed this television appearance with an Emmy Award-winning special, The Julie Andrews Prove, which featured Cistron Kelly and the New Christy Minstrels as guests. Information technology aired on NBC-TV in November 1965. In 1966, Andrews starred in Hawaii, the highest-grossing picture show of its yr. Too in 1966, she starred opposite Paul Newman in Torn Curtain , which was directed by Alfred Hitchcock and shot at Universal Studios Hollywood.[28] Hitchcock gave Newman and Andrews relative complimentary rein in dialogue during production.[28] She credits the director with teaching her extensively about lenses and camera-work.[28] During a printing interview, she "made the mistake" of expressing her unhappiness with her functioning and subsequently received a "terse" letter from Hitchcock, which Andrews subsequently cited as an "important lesson".[28] The motion picture received mixed reviews upon release.[48]

The post-obit year, she played the titular character in Thoroughly Modern Millie (1967). Andrews described work on the film as a "pleasant distraction" for "assuasive her to be something of a clown", equally her stepfather died shortly before filming.[28] The movie was a box office success; critics described Andrews as "very much the leading lady" and "absolutely darling" likewise as "deliciously spirited and dry."[49] [l] The film was nominated for 7 Academy Awards, and Andrews scored a Gilt World nomination for her performance.[51] At the time, Thoroughly Mod Millie and Torn Drape were the biggest and 2nd-biggest hits in Universal Pictures history, respectively.

Rock Hudson and Andrews kissing in Darling Lili (1970)

Andrews adjacent appeared in two of Hollywood's most expensive flops: Star! (1968), a biopic of Gertrude Lawrence; and Darling Lili (1970), co-starring Rock Hudson and directed by her second husband, Blake Edwards. Andrews "went through her usual menstruum of insecurity" during the production of Star!, intensely analysing her choices for the character.[28] Choreographer Michael Kidd worked closely with Andrews during the complicated musical numbers, which Andrews regarded as physically and mentally gruelling, coupled with her divorce from her first married man, Tony Walton.[28] The New York Times singled out the film as "not one of [Andrews]'south all-time", while Variety wrote her "carefully built-up" performance "sagged" with "overdone hoydenishness".[52] [53] Despite reviews, her performance was over again nominated for Golden Earth Award for Best Actress – Movement Picture Comedy or Musical.[54] Andrews regards her friendships with Kidd and director Robert Wise as her "greatest gifts" from the film.[28]

Edwards pitched the concept of Darling Lili to Andrews two years prior to the get-go of production in 1968.[28] She prerecorded original songs for the film with Henry Mancini and Johnny Mercer.[28] Andrews cited Darling Lili'south tepid reviews as being acquired past studio marketing and postproduction issues.[28] While the film was a commercial bomb, the New York Times praised Andrews's performance, calling her an "unmitigated please" and "perfect centerpiece" of the pic, praising "her coolness and precision every bit a comedienne and a singer".[55] She was nominated for the Golden Globe Honor for Best Extra – Motion Pic Comedy or Musical, while the film won both the Golden Globe and Academy Awards for Best Original Song.[56] Of these films, Andrews afterwards wrote that "nonstop success in a career is incommunicable [...] but nobody sets out to brand a failure, either."[28]

1970s

Andrews with Italian tenor Sergio Franchi in 1973

Andrews was the first pick to play the English witch Eglantine Price in Disney's Bedknobs and Broomsticks (1971); Angela Lansbury was cast.[57] Andrews continued working in goggle box. In 1969, she shared the spotlight with singer Harry Belafonte for an NBC-TV special, An Evening with Julie Andrews and Harry Belafonte. In 1971, she appeared as a guest for the K Opening Special of Walt Disney Globe, and that same year she and Carol Burnett headlined a CBS special, Julie and Carol At Lincoln Eye. In 1972–73, Andrews starred in her own television variety serial, The Julie Andrews Hour , on the ABC network. The show won seven Emmy Awards but was cancelled after one flavour.

Betwixt 1973 and 1975, Andrews continued her association with ABC past headlining five variety specials for the network. She guest-starred on The Muppet Prove in 1977,[58] and the following year, she appeared once again with the Muppets on a CBS television set variety special. The programme, Julie Andrews: I Footstep Into Leap, aired in March 1978, to mixed reviews and mediocre ratings. She made only two other films in the 1970s, The Tamarind Seed (1974) and 10 (1979), both successful at the box office and past critics' reviews. In February 1980, Andrews headlined "Because We Care", a CBS-TV special with 30 major stars raising funds for Cambodian Famine victims through Operation California (now Functioning USA, on whose Board she serves). Later on that year, she starred in Trivial Miss Marker as "English language rose" Amanda Worthington (a label she had showtime been given in the 1960s).[59] In Blake Edwards' S.O.B. (1981), she played Sally Miles, a character who agrees to "show my boobies" in a scene in the film-within-a-movie.

1980s

A dual role of Victoria Grant and Count Victor Grezhinski in the moving picture Victor/Victoria (1982), reunited her with Garner once again. Her performance earned her a Golden World Award for Best Actress – Motion Picture Comedy or Musical, as well as a nomination for the 1982 Academy Award for Best Actress, her third Oscar nomination.[1] [60] In 1983, Andrews was chosen as the Jerky Pudding Woman of the Year by the Harvard University Theatrical Society.[61] That year, she co-starred with Burt Reynolds in The Man Who Loved Women . Her side by side two films were That's Life! and Duet for 1 (both 1986), which earned her Golden Earth nominations. In December 1987, Andrews starred in an ABC Christmas special, Julie Andrews: The Sound Of Christmas, which went on to win five Emmy Awards. Two years later, she was reunited for the tertiary time with Carol Burnett for a variety special which aired on ABC in December 1989.

1990s

In 1991, Andrews fabricated her idiot box dramatic debut in the ABC made-for-Tv film, Our Sons , co-starring Ann-Margret. Andrews was named a Disney Legend within the twelvemonth. In the summer of 1992, Andrews starred in her first boob tube sitcom; the short-lived Julie aired on ABC for only 7 episodes and co-starred James Farentino. In December, 1992 she hosted the NBC holiday special, Christmas In Washington. Having played a Cockney flower seller in My Fair Lady, Andrews had an orangey-salmon pink rose named later on her at London's Chelsea Flower Prove in 1992. Stating she was "e'er so flattered", portions of the sales of the "Julie Andrews Rose" were donated to charity.[62] In 1993, she starred in a limited run at the Manhattan Theatre Club in the American premiere of Stephen Sondheim'southward revue, Putting It Together . Between 1994 and 1995, Andrews recorded ii solo albums – the outset saluted the music of Richard Rodgers and the 2nd paid tribute to the words of Alan Jay Lerner. In 1995, she starred in the stage musical version of Victor/Victoria . Information technology was her offset advent in a Broadway show in 35 years. Opening on Broadway on 25 October 1995 at the Marquis Theatre, it afterward went on the road for a globe tour. When she was the simply Tony Award nominee for the production, she declined the nomination saying that she could not accept considering she felt the entire product was snubbed.[63]

Despite the loss of her singing voice, Andrews kept busy with many projects. In 1998, she appeared in a stage production of Dr. Dolittle in London. Every bit recounted on the Julie Andrews website, she performed the voice of Polynesia the parrot and "recorded some 700 sentences and sounds, which were placed on a computer chip that saturday in the mechanical bird'southward mouth. In the song 'Talk to the Animals,' Polynesia the parrot even sings." The adjacent year Andrews was reunited with James Garner for the CBS made-for-TV motion picture, One Special Nighttime, which aired in November 1999.

2000s

In the 2000 New year Honours List, Andrews was fabricated a Dame Commander of the Order of the British Empire (DBE) for services to the performing arts and received the laurels from Queen Elizabeth II at Buckingham Palace.[64] [65] [66] In 2002, Andrews was amid the guests at the Queen'southward Golden Jubilee Hollywood party held at the Beverly Wilshire Hotel.[67] She also appears at No.59 on the 2002 poll of the "100 Greatest Britons" sponsored past the BBC and chosen by the British public.[68]

Andrews pictured in 2001, the year she starred as Queen Clarisse Marie Renaldi in The Princess Diaries

In 2001, Andrews received Kennedy Center Honors. The same year, she reunited with Sound of Music co-star Christopher Plummer in a alive television performance of On Gold Pond (an adaptation of the 1979 play). Andrews appeared in The Princess Diaries, her first Disney film since Mary Poppins. She starred as Queen Clarisse Marie Renaldi and reprised the role in the 2004 sequel, The Princess Diaries 2: Royal Engagement. In the film, Andrews sang on film for the get-go fourth dimension since having throat surgery. The song, "Your Crowning Glory", a duet with Raven-Symoné, was set in a express range of an octave to accommodate her recovering voice.[69] The moving picture's music supervisor, Dawn Soler, recalled that Andrews "nailed the song on the get-go take. I looked effectually and I saw grips with tears in their eyes."[69]

Andrews continued her association with Disney when she appeared every bit the nanny in two television films based on the Eloise books, a series of children's books by Kay Thompson well-nigh a child who lives in the Plaza Hotel in New York Urban center. Eloise at the Plaza premiered in April 2003, and Eloise at Christmastime was broadcast in Nov 2003; Andrews was nominated for an Emmy Award.[35] The same twelvemonth she made her debut equally a theatre manager, directing a revival of The Boy Friend, the musical in which she made her 1954 Broadway debut, at the Bay Street Theatre in Sag Harbor, New York. Her production, which featured costume and scenic design past her former hubby Tony Walton, was remounted at the Goodspeed Opera Firm in 2005 and went on a national tour in 2006.

Andrews pictured in 2003, the year she was nominated for an Emmy Award for Eloise at Christmastime

From 2005 to 2006, Andrews served as the Official Ambassador for Disneyland's 18-month-long, 50th-ceremony celebration, the "Happiest Homecoming on Earth", travelling to promote the celebration, recording narration and appearing at several events at the park. On 17 March 2005, Andrews appeared onstage during the curtain calls for the musical of Mary Poppins at the Prince Edward Theatre in London'due south West End, where she gave a speech recalling her own memories from making the moving picture and praised the cast for their new interpretation.[70] In 2004, Andrews voiced Queen Lillian in the animated blockbuster Shrek 2 (2004), reprising the role for its sequels, Shrek the Tertiary (2007) and Shrek Forever After (2010). Too in 2007, she narrated Enchanted, a live-action Disney musical comedy that both parodied and paid homage to Disney films.

On 1 May 2005, Disneyland debuted a new fireworks evidence, Call up... Dreams Come True, for Disneyland's 50th anniversary, with Andrews being the host and narrator of the prove. In Jan 2007, Andrews was honoured with the Lifetime Achievement Award at the Screen Actors Lodge's awards and stated that her goals included continuing to straight for the stage and possibly to produce her own Broadway musical.[60] She published Home: A Memoir of My Early Years , which she characterised as "part one" of her autobiography, on i April 2008. Dwelling chronicles her early years in United kingdom'southward music hall circuit and ends in 1962 with her winning the office of Mary Poppins. For a Walt Disney video release, she again portrayed Mary Poppins and narrated the story of The True cat That Looked at a Rex in 2004. From July until early August 2008, Andrews hosted Julie Andrews' The Gift of Music, a short tour of the United States[71] where she sang various Rodgers and Hammerstein songs and symphonised her recently published book, Simeon'south Gift. Appearances included the Hollywood Bowl in Los Angeles, the Isle of mann Center for the Performing Arts in Philadelphia, and a performance with the Atlanta Symphony Orchestra.[72] [73] [74] These were her first public singing performances in a dozen years, due to her failed vocal cord surgery.[75] In January 2009, Andrews was named on The Times' listing of the top x British Actresses of all time. The list included Helen Mirren, Helena Bonham Carter, Judi Dench, and Audrey Hepburn.[76] On 8 May 2009, Andrews received the honorary George and Ira Gershwin Honor for Lifetime Accomplishment in Music at the annual UCLA Spring Sing competition in Pauley Pavilion.

2010s

In January 2010, Andrews was the official Us presenter for the Smashing Performances From Vienna: The New Year's Commemoration 2010 concert.[77] This was her second advent in this role, subsequently presenting the previous year's concert.[78] Andrews besides had a supporting role in the film Molar Fairy , which opened to unfavourable reviews[79] although the box office receipts were successful.[80] On her promotion tour for the moving picture, she also spoke of Operation USA and the aid campaign to the Haiti disaster.[81]

Andrews at Los Angeles Times Festival of Books at University of Southern California

On 8 May 2010, Andrews made her London comeback later on a 21-year absence (her last performance at that place was a Christmas concert at the Royal Festival Hall in 1989). She performed at The O2 Arena, accompanied past the Purple Philharmonic Orchestra and an ensemble of five performers.[82] Earlier (on 15 December 2009 and on many other occasions), she appeared on British boob tube saying that rumours that she would exist singing at the performance were non truthful and that she would be doing a form of "speak singing".[83] Yet she actually sang ii solos and several duets and ensemble pieces. The evening, though well received by the 20,000 fans present, who gave her continuing ovation after standing ovation,[84] did non convince the critics.[85]

On eighteen May 2010, Andrews'due south 23rd book (this 1 also written with her daughter Emma) was published. In June 2010, the book, entitled The Very Fairy Princess, reached number 1 on The New York Times All-time Seller List for Children's Books.[86] On 21 May 2010, her film Shrek Forever Afterwards was released; in it Andrews reprises her role every bit the Queen.[87] On 9 July 2010, Despicable Me , an animated flick in which Andrews lent her voice to Marlena Gru, the thoughtless and soul-crushing mother of the main character Gru (voiced by Steve Carell), opened to rave reviews[88] and potent box function.[89] On 28 October 2010, Andrews appeared, along with the actors who portrayed the cinematic von Trapp family members, on Oprah to commemorate the picture show's 45th anniversary.[90] [91] A few days afterwards, her 24th book, Little Bo in Italia, was published.[92] On 15 Dec 2010, Andrews's husband Blake Edwards died at the age of 88, of complications of pneumonia at the Saint John'due south Health Center in Santa Monica, California. Andrews was by her husband'due south side when he died.[93]

Andrews speaking on bout in Sydney, Australia in 2013

In February 2011, Andrews received a Grammy Lifetime Achievement Accolade and, with her daughter Emma, a Grammy for best spoken-discussion album for children (for A Drove of Poems, Songs and Lullabies), at the 53rd Grammy Awards.[94] [95] In her memoir, Dwelling Work (2019), Andrews discussed beingness offered the role of Aunt Emma by Martin Scorsese for his motion-picture show The Wolf of Wall Street (2013). Unfortunately, she declined, citing a recent surgery and she wasn't "fix to go dorsum to work" simply "would've loved to have done it".[96] At the age of 77, Andrews undertook her first tour of Commonwealth of australia and New Zealand in 2013, hosted by Nicholas Hammond [97] who was a boy of xiv when they appeared together in The Sound of Music.[98] In place of singing, she planned a series of speaking engagements in Australia'south five mainland state capitals.[99] The following year she took the show on a tour of England, which was hosted by Aled Jones. The tour began with a May date at the National Indoor Arena in Birmingham and included an appearance at the Echo Arena in Liverpool.[100]

In 2015, Andrews made a surprise appearance at the Oscars, greeting Lady Gaga who paid her homage by singing a medley from The Sound of Music .[101] This became a social media awareness, trending all over the world.[102] Lyndon Terracini announced in August 2015 that Andrews would direct My Fair Lady in 2016 for Opera Commonwealth of australia at the Sydney Opera Business firm.[103] In 2016, Andrews created the preschool telly series Julie's Greenroom with her daughter, Emma Walton Hamilton and Judy Rothman. Andrews is joined by her assistant Gus (Giullian Yao Gioiello) and "Greenies," a bandage of original puppets built by The Jim Henson Company. The serial premiered on Netflix in 2017.[104] In 2017, Andrews besides reprised her part as Marlena Gru in the 2d Despicable Me sequel Despicable Me three.[105] In 2018, Andrews voiced Karathen, a leviathan, in James Wan's Aquaman.[106] That same year, she declined a cameo appearance in Mary Poppins Returns to avoid stealing the limelight now belonging to star Emily Blunt.[107]

2020s

Get-go in December 2020, Andrews voiced the narrator Lady Whistledown in the Netflix menses drama series Bridgerton .[108]

In 2022, she narrated the film The King'southward Girl for Gravitas Ventures. She recorded her narration in 2020. A few weeks later she was announced to be the narrator.

Personal life

Andrews married set designer Tony Walton on 10 May 1959 in Weybridge, Surrey. They get-go met in 1948 when Andrews was appearing at the London Casino in the show Humpty Dumpty . In November 1962, their daughter Emma (now Emma Walton Hamilton, an writer of children's books), was built-in.[109] They divorced in 1968.[110]

Andrews subsequently married director Blake Edwards in 1969;[111] [112] condign stepmother to his children, Jennifer and Geoffrey.[113] In the 1970s, Edwards and Andrews adopted two Vietnamese daughters; Amy (later known as Amelia) in 1974 and Joanna in 1975.[114] [115] They remained married for 41 years until his death on xv December 2010, in Santa Monica, California. He was 88 years old.[116] [117] Andrews is a grandmother to nine[118] and peachy-grandmother to iii.[119]

Loss of singing voice

Andrews was forced to quit the Victor/Victoria phase production towards the finish of the Broadway run in 1997 when she developed hoarseness in her voice. She subsequently underwent surgery at New York'due south Mountain Sinai Hospital, reportedly to remove non-malignant nodules from her pharynx,[1] though she subsequently stated the hoarseness was due to "a certain kind of muscular striation [that] happens on the vocal cords"—itself the result of a strain from Victor/Victoria (she added "I didn't have cancer, I didn't have nodules, I didn't have anything.")[120] She emerged from the surgery with permanent damage that destroyed the purity of her singing and made her speaking vocalism raspy. In 1999, she filed a malpractice accommodate against the doctors at Mount Sinai Infirmary, including Scott Kessler and Jeffrey Libin, who had operated on her throat. Originally, the doctors assured Andrews that she should regain her voice within six weeks, but Andrews'due south stepdaughter, Jennifer Edwards, said in 1999 "information technology's been two years, and information technology [her singing vocalization] still hasn't returned."[121] The lawsuit was settled in September 2000 for an undisclosed amount.[122]

Andrews admits that she has never recovered from the botched try to remove nodules from her vocal cords back in 1997. Her famous, 4-octave soprano was then reduced to a fragile alto – she was quoted at the time equally saying "I can sing the hell out of "Old Human being River."[98]

Afterward, from 2000 onwards, Steven M. Zeitels, manager of the Massachusetts Full general Hospital (MGH) Center for Laryngeal Surgery and Voice Rehabilitation, operated on her four times and, while able to improve her speaking voice, was unable to restore her singing.[123]

Vocalisation

Template:Mind

Termed "Britain's youngest prima donna",[124] [125] Andrews'southward classically trained soprano voice,[126] lauded for its "pure and clear" sound,[127] has been described as calorie-free, brilliant and operatic in tone. When a young Andrews was taken by her parents to exist examined by a throat specialist, the doctor concluded that she had "an almost adult larynx."[128] Despite the continual encouragement to pursue opera past her vox teacher, English soprano Lilian Stiles-Allen, Andrews herself felt that her voice was unsuited for the genre and "too large a stretch". At the time, Andrews described her own phonation as "extremely high and sparse", feeling that it lacked "the necessary guts and weight for opera", preferring musical theatre instead.

Equally Andrews aged, and then did her phonation, which began to naturally deepen. Losing her vast upper annals, her "top notes" became increasingly difficult to sing while "her middle register matured into the warm golden tone" for which she has get known, co-ordinate to Tim Wong of The Daily Telegraph .[128] Musically, she had always preferred singing music that was "bright and sunny", choosing to avoid songs that were pitiful or otherwise written in a minor fundamental, for fear of losing her voice "in a mess of emotion". She cited this as another reason for avoiding opera.[128]

Acting credits

Template:Main articles

Awards and honours

Template:Main articles

Bibliography

Andrews has published several books (mainly children'due south books and autobiographies) under her proper name, too as the pen names Julie Andrews Edwards and Julie Edwards.

  • Andrews, Julie. Home: A Memoir of My Early Years . Hyperion, 2008. Template:ISBN.
  • Andrews, Julie and Emma Walton Hamilton (authors). Home Work: A Memoir of My Hollywood Years. Hachette, 2019. Template:ISBN.
  • Andrews, Julie and Emma Walton Hamilton (authors) and Christine Davenier (Illustrator). Very Fairy Princess. Little Brownish, 2010. Template:ISBN.
  • Andrews, Julie and Emma Walton Hamilton (authors) and James McMullan (Illustrator). Julie Andrews' Collection of Poems, Songs, and Lullabies. Little Dark-brown, 2009. Template:ISBN.
  • Edwards, Julie Andrews (author) and Judith Gwyn Brown (illustrator). Mandy. Harper & Row, 1971. Template:ISBN.
  • Edwards, Julie Andrews (writer) and Johanna Westerman (illustrator). Mandy: 35th Ceremony Edition. HarperCollins, 2006. Template:ISBN.
  • Edwards, Julie. The Concluding of the Really Great Whangdoodles . New York: Harper and Row. 1974. Template:ISBN.
  • Edwards, Julie Andrews. Little Bo: The Story of Bonnie Boadicea. Hyperion, 1999. Template:ISBN. (several others in this series)
  • Edwards, Julie Andrews and Emma Walton Hamilton. Dumpy the Dumptruck. Hyperion, 2000. Template:ISBN. (several others in the Dumpy series)
  • Edwards, Julie Andrews and Emma Walton Hamilton, (authors). Gennady Spirin (illustrator). Simeon's Souvenir. 2003. Template:ISBN.
  • Edwards, Julie Andrews and Emma Walton Hamilton. Dragon: Hound of Honour. HarperTrophy, 2005. Template:ISBN.
  • Edwards, Julie Andrews and Emma Walton Hamilton (authors) and Tony Walton (illustrator). The Great American Mousical. HarperTrophy, 2006. Template:ISBN.
  • <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>Edwards, Julie Andrews; Walton Hamilton, Emma (2007). Thanks to You: Wisdom from Mother and Kid. Julie Andrews Drove. ISBN978-0-06-124002-vii. .

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  112. The BEST of Sirs and Dames On The Graham Norton Show Part One directly quote: "I was married to that lovely guy for forty two years."
  113. Current biography yearbook, Volume 44 p. 127. H. W. Wilson Co., 1983.
  114. Wilkins, Barbara. "The Pristine Princess" Template:Webarchive, People, 14 March 1977.
  115. "Biography"Template:Dead link, tcmdb.com. Retrieved 15 August 2010
  116. Spindle, p. 14.
  117. <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>"Blake Edwards, Prolific Comedy Director, Dies at 88". The New York Times. 16 Dec 2010. Archived from the original on 22 April 2012. Retrieved 17 Dec 2010.
  118. Laws, Roz (28 March 2014). "An Evening With Julie Andrews comes to Birmingham NIA". Birmingham Postal service . http://www.birminghampost.co.united kingdom of great britain and northern ireland/whats-on/arts-culture-news/evening-julie-andrews-comes-birmingham-6874511.
  119. Mandell, Andrea (16 Dec 2013). "Julie Andrews reveals secrets behind 'Mary Poppins'". U.s. Today . https://www.usatoday.com/story/life/people/2013/12/16/julie-andrews-and-richard-sherman-revisit-mary-poppins/4037271/.
  120. Template:Cite episode
  121. Andrews sues over lost phonation Template:Webarchive. BBC News. 15 December 1999. Retrieved 29 January 2007.
  122. Julie Andrews settles lawsuit Template:Webarchive, Chicago Sun-Times, 9 September 2000
  123. <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles> Colapinto, John (four March 2013). "Giving Vocalisation : A Surgeon Pioneers Methods to Help Singers Sing Once again". The New Yorker . p. 56.
  124. <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>Wong, Tim (26 May 2014). "Julie Andrews, the operatic sensation that never was". The Telegraph. Archived from the original on 29 May 2014. Retrieved 22 December 2018. You might not know this – though I'm sure diehard fans will – simply Dame Julie Andrews started out in opera. In fact she was once billed as "Britain's Youngest Prima Donna".
  125. O'Connor, John J. (25 October 1995). "Goggle box REVIEW; Julie Andrews, With Tough Edges". https://www.nytimes.com/1995/10/25/theater/telly-review-julie-andrews-with-tough-edges.html.
  126. "The Broadway soprano: the lineage and evolution from Julie Andrews to Kristin Chenoweth.". Farlex, Inc.. 2013. http://www.thefreelibrary.com/The+Broadway+soprano%3A+the+lineage+and+evolution+from+Julie+Andrews+to...-a0326505018.
  127. "Julie Andrews honoured in Gstaad". half dozen June 2014. http://www.swissinfo.ch/eng/julie-andrews-honoured-in-gstaad/38738266.
  128. 128.0 128.1 128.2 Wong, Tim (26 May 2014). "Julie Andrews, the operatic sensation that never was". Telegraph Media Group Express. http://blogs.telegraph.co.uk/culture/timwong/100075040/julie-andrews-the-operatic-sensation-that-never-was/.

External links

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  • Template:AllMovie proper name
  • Template:Screenonline name
  • Template:IBDB name
  • Julie Andrews at IMDb
  • Template:Iobdb name
  • Julie Andrews at Playbill Vault
  • Template:TCMDb name
  • Template:Discogs artist
  • "Julie Andrews: Prim and Improper" by Leslie Bennetts (14 March 1982), The New York Times
  • Official site for The Very Fairy Princess past Julie Andrews and Emma Walton Hamilton
  • Julie Andrews Photos at the University of Maryland Libraries
  • Image of Roddy McDowall, Julie Andrews and Greer Garson at the premiere of "The Greatest Story E'er Told" in Los Angeles, California, 1965. Template:Webarchive Los Angeles Times Photographic Annal (Drove 1429). UCLA Library Special Collections, Charles Eastward. Immature Enquiry Library, University of California, Los Angeles.

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moralesextry1945.blogspot.com

Source: https://fansonicwb.fandom.com/wiki/Julie_Andrews

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